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Oren Ambarchi

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One of the key figures in modern guitar compositions (although the drums was his first passion), Australia's Oren Ambarchi ranks up with the likes of Keith Rowe and Christian Fennesz as one of the most innovative explorers of the instrument. His versatility and open-minded approach has led him to collaborate with many different artists from around the globe including drone metal doomsters SunnO))), fellow australian Martin Ng, Pimmon, Phill Niblock, Earth, Keiji Haino, you name it! Ambarchi's solo work finds the artist pushing the limits of what the guitar is supposed to sound like, to the point where the instrument can barely be identified as the source material. Ominous, often bass-heavy drones, IDM-like glitches and strange sound deconstruction predominate his works.

People have often suggested that I listen to some of his works considering my love of Thomas Köner's albums and indeed, I can tell they have similar approaches to soundscapes (even though both come from different backgrounds). His work definitely fascinates me, so there will be more to come on this page eventually.

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Album Cover Suspension
Label: Touch
Release: 2001
Format: CD
Cat. no: T33.18

Song list:

  1. Wednesday (7:17)
  2. Vogler (12:36)
  3. This Evening So Soon (4:00)
  4. Gene (6:16)
  5. Suspension (8:24)
  6. As Far As The Eye Can See (14:02)


Album Cover Cloud
Label: Erstwhile Records
Release: 2005
Format: 2CD
Cat. no: ERSTWHILE 046-2

Song list:

CD 1:
  1. Perfect Grass (23:47)
  2. Deformed Veil (38:16)
CD 2:
  1. Yellow Cloud (1:02:26)


Album Cover In The Pendulum's Embrace
Label: Southern Lord
Release: 2007
Format: CD
Cat. no: SUNN78

Song list:

  1. Fever, A Warm Poison (17:55)
  2. Inamorata (10:20)
  3. Trailing Moss In Mystic Glow (12:36)