Amon Düül II
After Can and Faust came Amon Düül. I was digging deeper and deeper into the german kraut-rock or kosmiche musik genres to find the weirdest possible groups there were. Amon Düül were a very tribal affair and I really enjoyed their neanderthal sounds so I thought I'd check out the "sister" group Amon Düül II (they share one or two members and were split up due to political and artistic differences; the "II" was added to avoid legal problems). I knew they would be different, but not that much.
Amon Düül were tribal and heavy, most of their output was taken from one long motherfucker of a jam, some of it sounds totally chaotic and amateurish, but this is all a part of their charm. Amon Düül II on the other hand still retained some of the heaviness of Amon Düül, but they had a much more structured sound and a penchant for psychedelic acrobatics. Even on their own lengthy jams, the progression is immediately noticeable and they manage to create a thick and intense atmosphere. Both are great, but in very different ways. I am aware however that many fans of progressive rock see Amon Düül as an aberration in the genre (how you can even associate this group with the genre - beside the association with Amon Düül II - is beyond me!).
Amon Düül II's sound seems to split along the way. The changes are rapid from record to record. The first two albums, although showing signs of how they were to sound later on in their career, lean definitely more towards the psychedelic side. Tanz Der Lemminge is a bit half-half and from Carnival In Babylon onwards, they would be much closer in spirit to progressive rock then to the long lengthy jams we had been used to until then. Structure and tempo changes were much more emphasized from then on. The quality of their output soon diminished as their sound became more and more toned-down and mainstream. I consider Viva La Trance to be the group's last worthwhile album. There would be some interesting outputs to come (Made In Germany), but they all pale in comparison to their earlier recordings. Nevertheless, for the incredible quality of these recordings, Amon Düül II have deservedly made it's way into what I call the holy trinity of kraut-rock alongside Can and Faust.


Phallus DeiLabel: Repertoire Release: 1969 Format: CD Cat. no: REP 4872 |
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YetiLabel: Repertoire Release: 1970 Format: CD Cat. no: REP 4914 |
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Tanz Der LemmingeLabel: Repertoire Release: 1971 Format: CD Cat. no: REP 4915 |
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Carnival In BabylonLabel: Repertoire Release: 1972 Format: CD Cat. no: REP 4986 |
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Wolf CityLabel: Repertoire Release: 1972 Format: CD Cat. no: REP 4987 |
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