No Neck Blues Band
The No Neck Blues Band, or NNCK, are, according to me, the most representative band of what Wire Magazine has dubbed "New Weird America" (I really hate that term, it's become so all-encompassing that almost anything with a weird vibe has been engulfed in this "category"). This "new weird" sound has it's roots in free jazz and experimental music, nothing was impossible and all was permitted. From one album to the other, you could never be quite sure what you would get except you know it's going to sound quite primitive/tribal; with or without electronics.
The group started out in the mid-nineties and was a part of the whole loft scene, performing often on city rooftops or in lofts or their own "Hint House" These shows were apparently quite wild (even if the members would just stand, unmoving on stage, the music in itself would be sufficient to make for a crazy show) and little by little, cryptic releases made their way on the market, all of them often in very limited quantities. The earlier releases were quite loud group improvisations bordering on noise (no "blues band" were they!), the sound slowly matured into out-there territory, opting for primitive psychedelic soundscapes and/or drone music including often unidentifiable sounds; some of these releases sound a lot like the more fucked up albums by Sun Ra.
Their creative output tends to shift between their noisier side and their more psychedelic side from release to release with fluctuating quality and availability. They often disappear off the face of the Earth only to reappear a few months later with a slew of new albums and singles. Although there are a few identified members of the group (and their side-projects), the group has, since their conception, tried to keep themselves as anonymous as possible (to this day, no one has been able to confirm if The No Neck Blues Explosion 7" is actually NNCK or just some hoax). Very few images of the group are out there, it took me forever to identify David Nuss (also of Angelblood) for example.
I'll always remember the first time I heard NNCK, they were in the "out-there" section of my favorite store in Montreal and I just picked up the Letters From The Earth double CD on Captain Trip after being tipped by one of the staff. The first song came on (Montana Morning) and straight away I was trying to identify what these sounds I was hearing were. It was raw and I had no idea what was going on, but at that point I was already hooked, this was just too obscure and mysterious to let it pass by. Ever since then I've been an avid collector of NNCK, trying to get absolutely everything the band releases. I'm definitely one of those fanatics when it comes to this band!


The No Neck Blues ExplosionLabel: Self-Released Release: Unknown Format: 7" Cat. no: NNCKBX#1 |
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Cum/ThinnerLabel: Sound@One Release: 1994 Format: 8" Lathe Cut Cat. no: S@1#7 |
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Ink/SweatLabel: Sound@One Release: 1994 Format: 8" Lathe Cut Cat. no: S@1#8 |
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Piss/OilLabel: Sound@One Release: 1995 Format: 8" Lathe Cut Cat. no: S@1#9 |
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The Math Of CrackLabel: New World Of Sound Records/Sound@One Release: 1995 Format: 7" Cat. no: S@1#2/NWOS-11 |
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Live 7" (No NNCK Death EP)Label: Ecstatic Peace/Sound@One Release: 1995 Format: 7" Cat. no: S@1#3/E#56 |
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Recorded In Public & Private (Ass Run Volume 1)Label: Ecstatic Yod/Ecstatic Peace/Sound@One Release: 1995 Format: LP Cat. no: S@1#4/Actuel-1/E#57/FYPL16 |
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The ClearingLabel: Dry Leaf Discs/Sound@One Release: 1995 Format: 7" Cat. no: S@1#5/DF005 |
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HoichiLabel: Sound@One Release: 1996 Format: LP Cat. no: S@1#1 |
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Letters From The EarthLabel: Captain Trip/Seres/Sound@One Release: 1996 Format: 2CD Cat. no: S@1#26,27/SER-2/CTCD-422/423 |
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The Circle BrokenLabel: Sound@One Release: 1997 Format: CS Cat. no: S@1#32 |
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A Tabu Two Volume 1Label: New World Of Sound/Sound@One Release: 1998 Format: LP Cat. no: NWOS-21/S@1#34 |
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A Tabu Two Volume 2Label: New World Of Sound/Sound@One Release: 1998 Format: LP Cat. no: NWOS-22/S@1#35 |
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Letters From The SerthLabel: Seres/Sound@One Release: 1998 Format: CD Cat. no: S@1#42/SER-1 |
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The Birth Of Both WorldsLabel: Seres/Sound@One Release: 1998 Format: 2CD Cat. no: S@1#46,47/SER-3 |
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Meets The Clear People With Mystery Gypped Live At Ken's Electric LakeLabel: Locust Music Release: 1998 Format: 2CD Cat. no: L98 |
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Sticks And Stones May Break My Bones But Names Will Never Hurt MeLabel: Sound@One Release: 2001 Format: CD Cat. no: S@1#50 |
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Ever Borneo!Label: Seres/Sound@One Release: 2002 Format: LP + 7" Cat. no: S@1#60,62/SER 201,202 |
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Re: Mr. A FanLabel: Trademark Of Quality Release: 2002 Format: LP Cat. no: TMQ 638 |
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IntonomancyLabel: Sound@One Release: 2003 Format: CD Cat. no: S@1#64 |
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Blood/VaporLabel: Sound@One Release: 2003 Format: 8" Lathe Cut Cat. no: S@1#10 |
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Dutch MoneyLabel: Seres/Sound@One Release: 2004 Format: LP Cat. no: S@1#68/SER 206 |
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First Kingdom Of The GhostLabel: Seres/Sound@One Release: 2004 Format: LP Cat. no: S@1#69/SER 207 |
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Parallel EastersLabel: Sound@One Release: 2004 Format: 2CD Cat. no: S@1#70,71 |
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Wolfen NickelLabel: Sound@One Release: 2004 Format: CD-R Cat. no: S@1#76 |
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Rye AntennaLabel: Sound@One Release: 2005 Format: CD-R Cat. no: S@1#87 |
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The Collective Imaginings Of Quantarenius, Cook, & Co.Label: Greene Naftali/Sound@One Release: 2005 Format: CD Cat. no: S@1#80 |
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QvarisLabel: Sound@One Release: 2005 Format: CD Cat. no: S@1#81 |
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EmbryonnckLabel: Staubgold Release: 2006 Format: CD Cat. no: STAUBGOLD 67 |
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Nine For VictorLabel: Les Disques Victo Release: 2006 Format: CD Cat. no: VICTOCD103 |
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The Large TaquatLabel: Sound@One/Fuck It Tapes Release: 2007 Format: CS Cat. no: S@1#25/FIT045 |
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Angelo MaiLabel: Sound@One Release: 2007 Format: CD-R Cat. no: S@1#91 |
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Aftypiclipse (For Jazzfinger)Label: Sound@One Release: 2007 Format: CD-R Cat. no: S@1#84 |
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RoodemasLabel: Sound@One Release: 2007 Format: CD-R Cat. no: S@1#93 |
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ClomeimLabel: Sound@One/Locust Music Release: 2008 Format: CD-R Cat. no: S@1#100/Locust 113 |
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