Although this album starts almost too quietly, a Supersilent album wouldn't be a Supersilent album without it's fair share of strange noises and a spastic atmosphere. 4.2 is a creepy track about something that "does not separate", but believe me, when the song finally climaxes, not only does it "separate", it shatters into a million pieces (good luck putting it all back together again!). 4.3 sounds more like something that could have been taken from the 1-3 sessions, it's full of loud staccato noises and wild drumming and should leave you confused and out of breath by the end. Not surprisingly (as this happens a lot with this group), the best track is the longest. 4.6 has the most insane free-form horn playing I've heard in a long time and not only does the synthesizers join in the fun, but there are blasts of white noise that made me believe there was something wrong with the CD. Intense.